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“To me, that’s not a girl’s problem, that’s a guy’s problem,” says Anna Huffman, who recently graduated from Western Alamance High School in Elon, North Carolina, and helped organize a protest involving hundreds of participants. (Woodford County High has not responded to multiple requests for comment.)
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“It's not really the formal dress code by itself that is so discriminatory, it’s the message behind the dress code,” she says, “My principal constantly says that the main reason for is to create a ‘distraction-free learning zone’ for our male counterparts.” Woodford County is one of many districts across the country to justify female-specific rules with that logic, and effectively, to place the onus on girls to prevent inappropriate reactions from their male classmates. Yet Sunseri emphasizes that this isn’t where she and other students take the most issue. “The dress code makes girls feel self-conscious, ashamed, and uncomfortable in their own bodies,” says Sunseri. For students who attend schools with particularly harsh rules like that at Woodford, one of the key concerns is the implication that women should be hypercognizant about their physical identity and how the world responds to it.
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Schools may promote prejudiced policies, even if those biases are unintentional.
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The process of defining what’s considered “offensive” and “inappropriate,” however, can get quite murky. Documented cases show female students being chastised by school officials, sent home, or barred from attending events like prom. Many of these protests have criticized the dress codes as sexist in that they unfairly target girls by body-shaming and blaming them for promoting sexual harassment. Conflict over these policies has also spawned hundreds of petitions and numerous school walkouts. The documentary now has tens of thousands of YouTube views, while a post about the dress-code policy at her high school-Woodford County High-has been circulated more than 45,000 times on the Internet.Īlthough dress codes have long been a subject of contention, the growth of platforms like Facebook and Instagram, along with a resurgence of student activism, has prompted a major uptick in protests against attire rules, including popular campaigns similar to the one championed by Sunseri. I was 22 in 1987, and being gay was not easy.“I’ve never seen a boy called out for his attire even though they also break the rules,” says Sunseri, who last summer produced S hame: A Documentary on School Dress Code, a film featuring interviews with dozens of her classmates and her school principal, that explores the negative impact biased rules can have on girls’ confidence and sense of self. In BFI's YouTube video in which they interview Wilby and Grant, the first comment, from Jim Fitzpatrick, reads: "This book and film were life-changing to me. It's a film that shows what it's like to accept oneself, and the damages of lying to oneself, and has changed many people's lives. Without giving away too much, Maurice's tale differs greatly to Grant's Clive, who struggles greatly with his sexuality and to accept himself. Forster's seminal novel, is set in the repressive society of Edwardian England, but Wilby's Maurice still manages to find hope and love even in this restrictive environment. James Wilby stars as the titular Maurice, and charms us all doing so as he engages in affairs with Hugh Grant's Clive and Rupert Graves' Alec.
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Another LGBTQ movie made in the era of Thatcherism in the UK, this one comes from James Ivory - who is one of the most important gay filmmakers in cinematic history.